Disappointing Adaptation
*Overlord: The Sacred Kingdom* was released in theaters on November 8, aiming to bring a new dimension to the beloved isekai anime series. However, the movie struggles to capture the magic of its source material, presenting a cumbersome and overextended narrative that fails to enhance the original story. The adaptation covers the events of Overlord’s Holy Kingdom Arc, introducing viewers to the character Neia Baraja, yet it falls short in providing gripping moments that would justify a cinematic release.
Comparing to Successful Anime Films
While anime adaptations like *Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train* and *Dragon Ball Super: Super Hero* have thrived alongside their respective series, *The Sacred Kingdom* raises questions about the direction taken by the studio Madhouse with Overlord. The film’s elongated focus on political machinations might have been better suited for a season of the series or a limited set of special episodes. For those not well-versed in Overlord’s lore, the plot involving the Sacred Kingdom, Neia, and their plea to Ainz Ooal Gown’s Sorcerer Kingdom for assistance against the demon Jaldabaoth can be perplexing.
Struggles with Narrative and Pacing
Even for fans well-acquainted with Overlord, the film doesn’t offer much satisfaction. The two-hour runtime compresses the story, resulting in a narrative that feels rushed at times. A seemingly climactic battle unfolds early on, but it quickly transitions to its aftermath without delivering meaningful action. Aside from a single shocking scene, the movie primarily serves as an introductory piece for new characters expected to reappear in the TV series.
Character Development and Tension
The movie dedicates a significant portion of its runtime to Neia, who starts as an unenthusiastic follower of the Holy Kingdom’s strongest fighter, Remedios. As the story unfolds, Neia begins to admire Ainz Ooal Gown, aligning with his followers. However, Ainz’s secret alliance with Jaldabaoth—an arrangement aimed at expanding his influence—diminishes the significance of various plot developments. The Holy Kingdom becomes yet another piece in the strategic game played by Ainz and his kingdom, diminishing both tension and drama.
Challenges in Animation and Visuals
Madhouse brings the trademark gruesome horror of Overlord to the film, complemented by some awkward 3D animation during larger battle scenes. These unsettling moments showcase characters in distress surrounded by gore, serving little more than shock value. Although instances of 3D animation are sparse, they remain unsettling when they appear.
Lack of Grand Cinematic Moments
*The Sacred Kingdom* predominantly comprises strategic discussions, political maneuvers, and heartfelt exchanges. While there are glimpses where the animation shows promise, such as when Ainz aids Neia in combat, they’re often cut prematurely. For instance, a promising duel is interrupted before any significant action unfolds. Later, what presents as a climactic battle fizzles out with distant viewpoints and minimal visibility of the combat itself. While the Overlord universe holds potential for a cinematic epic, *The Sacred Kingdom* fails to deliver on that promise.